Reimagine

Some time back we had a party at the club. This was a swimming pool party where we invited all the pool members and we had a DJ. Normally at parties which I attend – obviously my age group, I have often noticed that the crowd swings to the Amitabh songs and the Kishore kumar numbers – suitably remixed. The old is gold. They are the best numbers and they don’t make them like that anymore. That is my general feeling. So typically for a great time I get the DJ to play those classics to the modern beats.

When I was in college the pubs would exclusively play English music. Hindi music was too low market to be played. All out college socials and bazaar day would be full of English music. A few odd Hindi numbers would be played – like meheboba from sholay or something. If you are young and in college and you want to dance then it was English all the way. I think the first ever hindi song that created a rage and was played at clubs was the Bally sago remix of chura liya.  People loved it and it created ripples. I think that as far as my experience goes – that brought Hindi  songs back to the listen and dance hep music circuit.

It also started a trend of everyone and anyone taking an old song and remixing it and releasing it for an eager audience. It also prompted a lot of purists to say that a classic must not be tampered with. these are great songs, why would you want to mess with the original.
Fair point. I really dint care so much.

So back to the MG club swim party. The dancers at the party were all really the young turks aged from 8 to 15. These were the swim kids who had the chance to party their heart out. With their mothers watching these danced till the DJ finally called it a day. There is no better thing than peer pressure. Jispa refuses to dance. No matter how much I egged her, she sat in her chair refusing to move a muscle. She is the same at dandiya meets. She refuses to get up. So I let her be, only to find her dancing some time later at the insistence of her friends. Ya sure.  I reminded of the Aesop’s fable of the sun and the wind arguing on who is better at removing the coat of a traveler. The wind blew hard in an attempt to blow the coat away only to find the man pull the coat closer while the sun simply silently shined down on the man who promptly removed it.

At the party, the kids were very clear. They swayed only to Hindi music and only the latest hot hindi numbers. No amitabh, no Kishore, nothing. Hot fast tempo hindi number. Old songs with great melodies and beats don’t count for anything. What counts is – that its new young and popular. So the purists can take the songs and shove it up their……

On Sunday I was at another party. Here because of the age profile – a mix of old and new songs were being played when I suddenly figured that a lot of old numbers which were remixed and reinterpreted in the Bollywood were the rage. It made me think. It may be a classic but even if that is not constantly reinterpreted for a younger audience it is not going to be accepted. There is no point of a great old song if no one is going to dance to it. An artist’s primary goal in Bollywood is to reach out to as many as possible (to those elitists who sneer at this crass commercialization, I sneer back at them). They were made for a mass audience and that’s why they were hits and hits must be allowed to be reinterpreted again and again. A few flops will emerge. A flop will make the classic dearer and a hit will make the classic go further. In any ways it furthers the original. The fun bit with popular culture is that if it’s not got good, it won’t be popular so why bitch.

So as the DJ played back to back Bollywood reinterpreted songs, I stood back a bit and saw the crowd loving it. These were not simply remixed by Bollywood or the DJ. These were what I would call reinterpretations of the old ones. These are ones that I and Jispa (when she wants to) agree to dance on at the same time.

Like this one

This features Rishi Kapoor in what in his time was possibly a bit of irreverence. Bachana ae haseeno. It’s a classic hit and I am sure it was antiestablishment at the time – check the red heart that he wears on his silver costume.

And now you have his son practicing a brand of irreverence. The father would pine for one chic and his son will danced with three and gets away with it. This too is possibly antiestablishment. See – he doesn’t love any of the chics he is dancing with. He is flirting with them, all in control. He is the Casanova.

Here is another one – the original one was never meant for movies I think. It was a pop single that caught the imagination across borders. Nazia Hassan is the iconic pop singer who sang this one. Disco Deewane!

And cut to the present – this what my daughter loves and would dance to. The Disco Deewane from the ‘I hate it its so bad but the kids love it’ movie – Student of the year. Jispa – I will forever judge you for this one.

And the last one –

The original – Rishi Kapoor again in Om Shanti Om. I remember this as a kid. The huge set piece where the protagonist is dancing on a record player. It forever imprinted my mind with what a dance piece should be.

Cut to the present – Shah Rukh Khan dancing to a completely reimagined Om Shanti Om

All of these are not simple remixes and are reimagined and reinterpreted for the audience. All of them have English set pieces inside of the songs. Sit back and play all of them. Enjoy them all. The original and the new. Change is the only constant – be it, actively propagate it and allow it.

Hindu philosophy has one flaw – from the triumvirate Brahma creates, Vishnu protects and Shiva destroys. It necessarily means new has to rise from ashes – but there is no one who simply copies or is inspired or is happy to reinterpret and reimagine what is old and put it in a new context. Some god that simply copies. Someone akin to Bill Gates – who gave the world CCP – cut copy paste.